News Release Archive

ART GALLERY OF NOVA SCOTIA-GALLERY EVENTS
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Sunday Demonstrations Far & Wide

The Art Gallery of Nova Scotia will have artists at work from the
Far & Wide exhibition from 1 p.m. - 4 p.m. each Sunday until Oct.
27.

Far & Wide runs until Nov. 10 and is organized by Visual Arts
Nova Scotia. This edition of Far & Wide includes work by 70
artists throughout Nova Scotia. Their works run a gamut of visual
arts media, including paintings, prints, photographs, ceramics,
bookworks, fibre, jewellery, sculpture, installation, mixed media
and video.

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Contact: Ann Marie McKinnon  902-424-8935

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Gearing Up for the Information Highway

The Art Gallery of Nova Scotia is on the Information Highway.

Features include upcoming exhibitions, special events, public
programming, and the permanent collection. Items can be purchased
from the gallery shop.

The address is http://www.agns.ednet.ns.ca

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Contact: Ann Marie McKinnon  902-424-8935

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Exhibitours

The Art Gallery of Nova Scotia offers a tour of a featured
exhibition one Sunday a month, at 2 p.m.

On Oct. 27, Gil McElroy, editor of Visual Arts News will lead a
tour of Far & Wide, the second biennial juried exhibition
organized by Visual Arts Nova Scotia. On Nov. 24, there will be a
tour of the exhibition A New Class of Art: The Artist's Print in
Canadian Art 1877 - 1920 with Art Gallery of Nova Scotia deputy
director, Virginia Stephen.

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Contact: Ann Marie McKinnon  902-424-8935

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Flash From the Past

The Living Stone, the 1958 award winning film about Canada's
northern Inuit sculptors, will be featured on Nov. 12 as part of
the Art Gallery of Nova Scotia's Tuesday Lunch Series.

The presentation begins at 12:15 p.m. in The Windsor Foundation
Lecture Theatre, and will run for approximately 45 minutes.
Admission is free.

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Contact: Ann Marie McKinnon  902-424-8935

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Family Weekend 1996

The Art Gallery of Nova Scotia will hold its eighth annual Family
Weekend, Nov. 2 & 3, 12 p.m. - 5 p.m.

There will be craft demonstrations, hands-on activities, music,
magic, storytelling, and an opportunity to meet local artists
sculpting, painting and carving. Admission is free.

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Contact: Erin Sonntag  902-424-7754

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Emerging Artist Series

Dan O'Neill's Corpus Hermeticum opens at the Art Gallery of Nova
Scotia on Nov. 9, and runs until Jan. 26, 1997.

The seven lithographs and the eight self-illuminating
constructions outline a sophisticated perception of the shared
biological vulnerability of all humankind, a frailty which
transcends gender and ethnic border.

Taken together, the 15 works are related and inter-related as one
installation offering a wide perspective on our society and
culture. The AIDS pandemic focused O'Neill's attention and
ignited his imagination, with the result being Corpus Hermeticum.

"Theme and imagery, the tenor of Corpus Hermeticum addresses
issues of gender, mortality, mythology, science and religion. It
is a statement which tells of our collective community," said Mr.
O'Neill.

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Contact: Ann Marie McKinnon  902-424-8935

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Pick of the Month

The Art Gallery of Nova Scotia, Halifax, will display an untitled
painting by artist Wayne Boucher as the Pick of the Month, 12:15
p.m., Tuesday, Oct. 22.

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Contact: Ann Marie McKinnon  902-424-8935 

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Film Series: Flash From the Past

The film The Rail Roader can be viewed at the Art Gallery of Nova
Scotia, Halifax, at 1 p.m. and 3 p.m., Sunday, Nov. 17.

The film series complements the exhibition Flash From the Past,
which explores early animation devices to present day state of
the art technology. The exhibition is organized by the Art
Gallery of Nova Scotia in cooperation with the Atlantic Film
Festival.

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Contact: Ann Marie McKinnon  902-424-8935

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A New Class of Art

A New Class of Art begins Nov. 16 and runs until Jan. 12, 1997 at
the Art Gallery of Nova Scotia in Halifax. This exhibition marks
the first study of the origins and establishment of the artist's
print in Canada. It includes over 130 works produced from 1877 to
1920, the majority of which come from the National Gallery of
Canada's permanent collection.

A New Class of Art was organized by Rosemarie Tovell, associate
curator, Canadian Prints and Drawings, National Gallery of
Canada, and is accompanied by a fully illustrated catalogue.

The artist's print has existed from the time of the invention of
the printing press in the late 1500's, but by the late 18th
century, printmaking was increasingly practised by technical 
craftsmen, with the medium becoming the agent for reproducing
paintings and watercolours. In the mid-nineteenth century
European artists rediscovered the etchings of the Dutch old
masters, Rembrandt in particular, and in emulation returned to
printmaking as a creative art form. James Abbott McNeill Whistler
became chief exponent of this "etching revival" as the movement
was called. The movement soon spread to the United States and
sparked an interest in the artist's print by collectors, dealers,
critics, and professional art societies on both sides of the
Atlantic.

From the mid 1800's to World War I, Canada could boast of a
relatively small community of artists who were struggling just to
maintain a presence in the well established class of
artpainting. The few who undertook the art form of printmaking
were true pioneers to the medium, establishing art societies to
promote and exhibit their work. One of these associations,
established in Toronto in 1884, was the Association of Canadian
Etchers (ACE). In 1885, ACE organized an impressive international
exhibition of original etchings, the first exhibition of its kind
ever held in Canada. The crowd in attendance were both puzzled
and uncertain about what they saw. For the most part these were
small, informal looking prints, made in limited editions and
their compositions were original subjects created directly by the
artist on the printing plate. For Canada, as a guest speaker
noted, they were "a new class of art."

The exhibition features a number of internationally renowned
Canadian printmakers including, Elizabeth Armstrong Forbes, a
gifted printmaker who worked in the circle of artists associated
with Whistler, Clarence Gagnon, whose Venetian etchings launched
his career internationally and whose body of work was unexcelled
by any other Canadian artist of the day; Homer Watson, whose
etching The Pioneer Mill, 1890 (National Gallery of Canada) is
one of the most distinctive Canadian prints of the period.

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Contact: Ann Marie McKinnon  902-424-8935

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trp                    Oct. 03, 1996 - 1:15 p.m.